Contemporary Somali culture

Over the past year I spent a lot of time researching contemporary Somali culture in the Horn of Africa (Somalia, Somaliland, Somali Regional State in Ethiopia, Addis, Nairobi, North-Eastern Provinces of Kenya) for the Swiss Agency for Development and Cooperation (SDC) and a nice little consulting outfit focusing on culture called Aleph Strategies.

Unusually, SDC is planning a 12-year long smart investment into the development of Somali culture, and this report is the baseline study allowing to build a strategy. Donors rarely have the long-term perspective which allows for slow and steady build-up: the contrary of so-called ‘Quick Impact Projects’.

As part of their strategy, SDC agreed that we could prepare and disseminate a public version of the report. It covers the different types of cultural expression, the social and political context of cultural production in each region and it gives examples of current cultural developments and groups.

Here’s a link to the report

Two prints from the Coming Home series by Mustafa Saeed (Hargeisa), 2020: Monument (l) and Vintage Spirit (r). Artist’s website
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The aid expectations gap: political analysis and how to deal with it personally

This article was reposted by the International Humanitarian Studies Association

This morning I spoke with an evidently motivated and capable, but thoroughly disheartened foreigner working on Somalia for an international agency. She had made great plans for the development of the sector she was entrusted with, but these had mostly come to nothing because of the non-cooperation of local authorities. Her activities were blocked by the national counterpart of her agency, which was a domestic institution which she herself had helped set up and fund. Protocol within her own organization made it mandatory for her to work through that agency which was blocking any chance for her to reach out to other prominent actors that she found worthy of support.

Chewing qat in the former residence of the British agent in Sheekh

I’m currently staying in Mogadishu, Somalia, outside the heavily fortified airport – known as ‘MIA’ for Mogadishu International Airport by foreigners, and ‘Halane’ by Somalis – where foreigners invariably remain cloistered. I’m having conversations with artists, youth, cultural producers, local and national authorities and visiting the cultural sites of the capital. This is a particularly nice consultancy: a scoping study for a small European donor intent on spending its money smartly. Mogadishu is bursting with energy and full of promise. Because few foreigners leave MIA, and donors generally don’t place much confidence in what Somalis tell them, I’m enjoying being an observer with privileged access to my field of study, which is the same as that of the disillusioned international agency worker, whose access is barred by mostly bureaucratic reasons (no, it is not so unsafe in Mogadishu today). Here I will try to elucidate the nature of the problem she faces, which is encountered today by many aid workers; the roots of the problem lie in what I call an expectations gap.

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Contemporary Art in the Gulf

Here is the full text of the book I published in 2013, called ‘Contemporary Art in the Gulf – an Introduction’.

Ibrahim Quraishi: A possible point of departure

And here is the Table of Contents:

7: Foreword
11: Contemporary Art in the Gulf
29: A Cultural History of the Arabian Peninsula
47: Saudi Arabia
69: Kuwait
87: Bahrain
99: The United Arab Emirates
119: Qatar
129: Oman
137: Where the Gulf is Heading

LINK TO THE BOOK

Mysterious sculptures from Somaliland

A farmer reportedly found these sculptures on his land in the hills above Berbera, and I secured them for future research. I have pledged to keep them in Somaliland and accessible to experts, although for the time being I have not decided to which institution I will give them. When the municipality of Berbera opens a planned museum and the conditions there are considered appropriate for conservation, safety and display, they can go there; in the meanwhile a university in Hargeisa may be entrusted with their care.

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Visit to the ruins of the fortress of Sayyid Hassan, aka the ‘Mad Mullah’

I visited Taleex (pronounce Tal-ayh) in May 2017. Now, a year later, the armies of Puntland and Somaliland are confronting each other in deadly clashes nearby. These are the slides of a presentation I vainly sent to UNESCO to elicit their interest in preserving this exceptional monument of cultural heritage – the whole urban centre.


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Unwinding the history of the UAE

Historic consciousness in the UAE and in the other GCC states goes back only a few centuries, at most; this is how far back most prominent Emirati families can reliably trace their genealogy.

4 fig 9b small

What happened in these lands before the advent of Islam is as alien to the current population, as if it had happened on another continent. Continue reading

Trip to Najran: Reflections on Saudi Cultural Heritage Policies

Prof K and the South Arabian mystery

Photo taken in the ruins of the city of Al Ukhdood (ancient Najran) by Abdelkarim Qassem

One of the premises of the ‘Searching for Ancient Arabia’ research project is the cultural diversity of the Arabian Peninsula; one of the research hypotheses being that this pluralism—well evident in ancient history—was smothered by subsequent narratives and historical developments, but that it could be a great asset for the future development of the Gulf region, particularly in artistic and cultural terms. Continue reading

‘Searching for Ancient Arabia’ – further information about the research project

A workshop will be held for all those interested in participating in this research project at the Downtown Campus (off Hamdan Street) of NYU Abu Dhabi on Tuesday 25 February, from 18:00 to 20:30.

For details about the workshop and registration see the bottom of this page.

Introduction to the research subject

Stone Altar from Marib (5th - 4th Century BC) and Bronze Statuette of the warrior Ma'dikarib, South Arabia, 6th century BC
Stone Altar from Marib (5th – 4th Century BC) and Bronze Statuette of the warrior Ma’dikarib, South Arabia (6th century BC). These and all other photos and maps/diagrams on this page are reproduced from the book “Arabia and the Arabs from the Bronze Age to the Coming of Islam’ by Robert Hoyland, 2001. See below for ordering information

“Only a small proportion of the lore of the Arabs has come down to you. Had it reached you in its entirety, much scientific and literary knowledge would have been yours”

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