The Sudanese Revolution

Perspectives from Khartoum, March-April 2022

I have come to Khartoum for a cultural mapping. The European Union has decided to expand its support of the Sudanese cultural sector. The EU, wired to support the state of Sudan, has no partner to work with since the military coup of Oct 25, five months ago: it does not recognize the military government. After several months of efforts to help reconstitute a civilian government, the EU delegation in Sudan has decided to increase its assistance program towards the support of civil society. One of the components of civil society is the cultural sector, supported over the past years through EUNIC. I am glad that sometimes the European Union does use its money wisely. My goal is to help them invest strategically into the cultural sector, in a way that builds it up instead of making it dependent on external funding.

As a result I’m in an intense round of consultations with all kinds of actors in this sector. Artists, directors of private organizations, commercial or non-benefit, institutions, researchers… everybody is speaking about the political and economic crisis, and are thinking about what the cultural sector can do to contribute to an outcome. In the following I will present some of their views on the double failure of the state and the economy, and how they are reacting to this crisis now. But first an explanation about the current situation in Sudan.

El Mek Nimr avenue, Khartoum. Photo by author
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Contemporary Somali culture

Over the past year I spent a lot of time researching contemporary Somali culture in the Horn of Africa (Somalia, Somaliland, Somali Regional State in Ethiopia, Addis, Nairobi, North-Eastern Provinces of Kenya) for the Swiss Agency for Development and Cooperation (SDC) and a nice little consulting outfit focusing on culture called Aleph Strategies.

Unusually, SDC is planning a 12-year long smart investment into the development of Somali culture, and this report is the baseline study allowing to build a strategy. Donors rarely have the long-term perspective which allows for slow and steady build-up: the contrary of so-called ‘Quick Impact Projects’.

As part of their strategy, SDC agreed that we could prepare and disseminate a public version of the report. It covers the different types of cultural expression, the social and political context of cultural production in each region and it gives examples of current cultural developments and groups.

Here’s a link to the report

Two prints from the Coming Home series by Mustafa Saeed (Hargeisa), 2020: Monument (l) and Vintage Spirit (r). Artist’s website
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Sonic BBQ and the Hunger Kitchen

These are two projects I worked on with Gilles Stassart when in Ethiopia; they finally blended into one at the Alliance Éthio-Française in Addis Ababa, in a series of performances:

  • VIP dinner with WFP rations, November 2018
  • Sonic Barbecue part 1, November 2018
  • Sonic Barbecue part 2, March 2019

Part 1: The Hunger Kitchen

The Hunger Kitchen idea started with the following observation that I made while working in Somaliland and Somalia: beneficiaries of food aid generally dislike the food rations they receive, and do not know what to do with them. Therefore, they often resell those rations to buy foodstuffs they’re more familiar with.

A vendor selling WFP ‘plumpy sup’ (a variant of plumpy nut) on the Somaliland-Ethiopian border at Tog Wajaale. The price is 1000 Somaliland shilling, about 10c, per ration. I took this picture in 2017
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Article about Jonas Staal in Syria

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Closing ceremony of the New World Summit in Derik, Syria

I published this article in the December 2015 edition of The Art Newspaper – with first a ‘news’ story on page 3, and then a feature on pages 58-59.  Continue reading

Art and Soft Power in the Gulf

Article published in Issue #47 of Afkar / Ideas published in October 2015 by the European Institute of the Mediterranean in Barcelona / French version / Spanish version

Ahmad Angawi: Ottoman Map of Mecca (detail), 2012

Ahmad Angawi: Ottoman Map of Mecca (detail), 2012

Art and Soft Power in the Gulf

Recently, there has been much news and debate about how the Gulf States are acquiring the icons of global culture, such as famous paintings, works by star artists, and even whole museums. This is seen as the exercise of ‘soft power’, defined by Joseph Nye as ‘the ability to get what you want through attraction, rather than coercion or payments’. One may wonder then, which objectives direct the Gulf’s investments in art? And, are they being achieved? Continue reading

New World Summit in Rojava – Day 1

The 5th edition of the New World Summit opened today in Derik / Al Malikiyyah in northwestern Syria. The Dutch artist Jonas Staal and his team, in tandem with the authorities of the autonomous canton of Cizire, drew full audiences with a thorough, two-day discussion of ‘Democratic Confederalism’ by international delegates and local specialists. Continue reading

Crime Scene Yemen

J... and General Al Radhi and General Nagi, in one of our endless police reform strategy sessions

J… and General Al Radhi and General Nagi, in one of our endless and obviously pointless police reform strategy sessions

I wrote this while a member of a Police Reform mission in Sanaa in 2012. My team leader asked me to brainstorm with the Ministry of Interior’s Communication Department to see what could be done in terms of reform there. In contrast to the rest of the police, this department’s members were very reform-minded (as many socialist ex-South Yemenis officials are) and we had a fascinating exchange. After following up in subsequent meetings, I penned down my recommendations for a MoI comms strategy, in which producing a TV series played a central part. With the currently unfolding events in Yemen I feel free to share these recommendations with you.

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Unwinding the history of the UAE

Historic consciousness in the UAE and in the other GCC states goes back only a few centuries, at most; this is how far back most prominent Emirati families can reliably trace their genealogy.

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What happened in these lands before the advent of Islam is as alien to the current population, as if it had happened on another continent. Continue reading

Trip to Najran: Reflections on Saudi Cultural Heritage Policies

Prof K and the South Arabian mystery

Photo taken in the ruins of the city of Al Ukhdood (ancient Najran) by Abdelkarim Qassem

One of the premises of the ‘Searching for Ancient Arabia’ research project is the cultural diversity of the Arabian Peninsula; one of the research hypotheses being that this pluralism—well evident in ancient history—was smothered by subsequent narratives and historical developments, but that it could be a great asset for the future development of the Gulf region, particularly in artistic and cultural terms. Continue reading