Historic consciousness in the UAE and in the other GCC states goes back only a few centuries, at most; this is how far back most prominent Emirati families can reliably trace their genealogy.
What happened in these lands before the advent of Islam is as alien to the current population, as if it had happened on another continent. Continue reading
Photo taken in the ruins of the city of Al Ukhdood (ancient Najran) by Abdelkarim Qassem
One of the premises of the ‘Searching for Ancient Arabia’ research project is the cultural diversity of the Arabian Peninsula; one of the research hypotheses being that this pluralism—well evident in ancient history—was smothered by subsequent narratives and historical developments, but that it could be a great asset for the future development of the Gulf region, particularly in artistic and cultural terms. Continue reading
View of the excavated Portuguese fort with the sea behind it, and the palm groves between the two. One of the beautiful sceneries we encountered during our research. Continue reading
A few days ago I got my certificate for Hostile Environment Awareness Training (HEAT) from the Carabinieri in Livorno. The Carabinieri are the Italian counterpart of the Gendarmerie, or Guardia Civil – the police force that depends from the Ministry of Defense. The training was given by the First Paratrooper Regiment (“Tuscania”), who engage in difficult operations abroad, like protecting VIPs in enemy territory or liberating hostages. They are strong, self-confident, good-looking and easy-going Italians, the real stuff, machos beyond posturing. Continue reading
Afghan security in front of bombed restaurant in Kabul. Photo by Johannes Eisele for AFP/Getty Images
The news of the bombing of La Taverna du Liban, a Lebanese restaurant in Kabul, reached me while I was following a pre-deployment course for a EU mission in Libya. I think I knew Kamal, the owner of the restaurant, who died in the assault; if it was the same man who set up the restaurant somewhere in 2004-5 (and it seems so from this personal account), he was a hearty, generous man and I regret his death, especially for his children. Continue reading
De Appel is the intellectual powerhouse of Amsterdam’s art world – or maybe it isn’t anymore, but it still has that reputation. It’s a non-commercial art space that offers a high-level (and world-renown) curatorial program, as well as a study program for gallery staff, it is the place to present contemporary art prizes and projects, and it organizes about 4-5 exhibitions a year.
De Appel is now looking for a director. This is my open application.
In a recent article, Antonio Giustozzi explains how the Taliban have improved their command & control structure. He describes how, under the military pressure of the US and NATO, and with the support of Pakistan’s ISI, the Taliban leadership has become more in control of the movement; and how this centralization alienates some local Taliban commanders and increasingly the population, who now have to deal with rotating commanders instead of well-known local strongmen (‘the devil you know’). Pakistani influence over the Taliban has always been terrible for the movement’s legitimacy among Afghans. On the other hand this centralization has allowed the Taliban to improve their governance and also their public image, as less brutalities are committed in the name of the movement.
Trevor Paglen: The Fence (Lake Kickapoo, Texas). C-print, 2010. Image of the electronic radar ‘fence’ around the USA to track traffic through space above the USA.
Finally, after a year and a half working on project proposal and funding, followed by nearly a year intensive research and writing, the Gulf Art Guide is online. Some of the cities (Abu Dhabi, Sharjah, Muscat, Doha and Manama) are covered by my co-author Neil van der Linden. The rest is written by me, and I worked a lot on website layout, design, functionalities and editing and proofreading the whole site.
I first looked forward to the day the Gulf Art Guide would finally be finished and online, as a day of relief. But the same evening that it went online I realized that it is like a baby: now I will have to nurture it, help it get over infancy diseases, and help it grow up. No time to celebrate!
The essay, which you can download here, provides an unusual take on the Gulf art scene.
We have over 1000 likes on our Facebook page, which is a good way to keep abreast of what’s going on in the Gulf Art World.
A version 1.1 is being prepared for release in the summer of 2013.
The setting for the New World Summit in Berlin’s Sophiensaele. The flags are all of organizations on the ‘designated terrorist lists’. Showing one of them might be a crime, but as a whole they qualify as an artwork. All photos courtesy of Jonas Staal and his team
I chaired a summit and helped curate a project designed by the Dutch artist Jonas Staal in Berlin on 4 and 5 May, as part of the Berlin Biennial. Continue reading
Why the art sector cannot justify its continued existence
The idea that societies could be reformed (modernized) through general access to culture, also high culture, was part of the modernist project for Western societies. These ideals were stated most forcefully in the 1920s and 30s by the avant-garde. They became mainstream in the post-war era, when the leaders of the Western world were looking for social-political models that could prevent the recurrence of the devastating world wars while avoiding a communist insurrection of the masses. Continue reading