It’s time to resurrect pan-Africanism

This essay challenges conventional narratives that portray African statehood as either a neocolonial instrument or inevitable elite capture by examining how early independence leaders envisioned building states rooted in traditional self-governance within a pan-Africanist framework. But Western powers systematically suppressed African political innovation through violent intervention, the United Nations system and Bretton Woods institutions, making sovereignty conditional on conformity to rules that entrench Western hegemony. African economies were subordinated into raw material export dependence while African elites developed sophisticated adaptation strategies that kept them in power through redistribution of external support. Today, contemporary African youth movements are rediscovering suppressed political alternatives, realizing that authentic sovereignty requires breaking these patterns of extroversion by combining traditional self-governance with regional integration—a vision that remains threatening to global orders dependent on African subordination.

Some of the early inspirers of pan-Africanism, including Americans. From left to right, 1st Row: Patrice Lumumba; Marcus Garvey; Malcolm X; Assata Shakur; Kwame Nkrumah. 2nd Row: Audley “Queen Mother” Moore; Huey P. Newton; Amílcar Cabral; Robert Sobukwe; Omali Yeshitela. Image source: African Skies blog.
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Book presentation: Het Continent van de Toekomst

On 18 September I will engage the author Daaf Borren in an interview at Boekhandel Douwes in The Hague, at 19:00, in a session open to the public. You are welcome!

Daaf Borren’s book ‘Het Continent van de Toekomst: Jongeren over Africa” explores what young (mostly educated) Africans think about their own continent, its challenges and how to resolve them. It is an energizing book that keeps the ‘Africa Rising’ discourse at a distance, and describes how many young people refuse victimhood narratives, while remaining critical about (neo)colonial patterns of domination.

One of the themes that struck me was the revival of the pan-Africanist ideal among young Africans desperate to get rid of corrupt elites held in power by Western extractive and security interests.

Banner image: part of Frantz Zéphirin 2007 – The Slave Ship Brooks as photographed at the 2022 Venice Biennial