The final chapter of the modernist dream

Why the art sector cannot justify its continued existence

The idea that societies could be reformed (modernized) through general access to culture, also high culture, was part of the modernist project for Western societies. These ideals were stated most forcefully in the 1920s and 30s by the avant-garde. They became mainstream in the post-war era, when the leaders of the Western world were looking for social-political models that could prevent the recurrence of the devastating world wars while avoiding a communist insurrection of the masses. Continue reading

My plans for establishing a contemporary art department at the ethnographic ‘Tropenmuseum’ in Amsterdam

The Tropenmuseum was looking for a contemporary art curator, and I applied. They asked me what I would do were I to get my job. As with the vacancy of director for De Balie (see below, in Dutch) I got through to the last round but ultimately didn’t land the job (the main reason being that they thought I didn’t have a sufficiently solid theoretical basis in art history). However since I enjoyed writing these plans, and thinking about how a ‘stuffy’ old ethnographic museum that wants to renew its appeal could go about doing it, I’m sharing them with you here: Continue reading