City Branding vs Artistic Freedom

The prospect of having performance artists dressed up like Disney’s Snow White parading with toy guns in the city hall caused quite a stir in The Hague over the last weeks. It is not that the Dutch are easily scandalized – they are rather hardened in matters of artistic provocation – but the consistency in the branding of a city such as the The Hague is becoming a more important principle than artistic freedom. The Hague likes to present itself as the international capital of peace and justice, and to start with, the officials in charge of city marketing didn’t like the theme chosen by Todaysart festival 2009, “The Hague City of Conflict”. Continue reading

Palestine Exhibition in Paris

Review of the Exhibition: « Palestine, la création dans tous ses états ».

Institut du Monde Arabe, Paris, June 23 to November 22, 2009

Palestinauts 

A Palestinian woman in a cute white spacesuit plants a Palestinian flag on the moon. The image used for the poster and other communications for this exhibition is drawn from Larissa Sansour’s video ‘A Space Exodus’(2008). The artist remarks ‘One small step for Palestinians is a giant leap for mankind’ and waves the blue earth goodbye. A homeland, finally? No, because the film ends on the astronaut hurtling through space on an outbound journey from the earth. The exodus is not over. Continue reading

The vibrant Syrian art scene part 2

The old city of Damascus counts dozens of ateliers and artists initiatives, especially in the Jewish quarter, which was neglected after most of its inhabitants emigrated to Israel.

 

Ammar al Beik: Basic Instinct, 2008

Ammar al Beik: Basic Instinct, 2008

For example Mustafa Ali, the ‘Syrian Picasso’, bought an old house in this area. His professional success – last year he completed a giant installation on top of the Institut du Monde Arabe in Paris, and now he’s crafting iron gates for the presidential palace – allow him to live as a patron of the arts. He organizes concerts and performances in the central courtyard, which along with the bar in the ancient cellars, rooms for visitors, friends and family and a gallery which sells his sculptures, make his compound a forum for art lovers.

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The vibrant Syrian art scene part 1

Syria has always had a lively visual arts scene. Appreciated by regional Arab collectors it failed in contrast to attract the attention of the West, where Syrian art was seen as a decorative mix between traditional Islamic themes and dated Western influences. Over the past two years, however, Syrian artists and galleries have rejoined the Middle-Eastern avant-garde, which is slowly but surely establishing itself internationally. Continue reading