The old city of Damascus counts dozens of ateliers and artists initiatives, especially in the Jewish quarter, which was neglected after most of its inhabitants emigrated to Israel.
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Ammar al Beik: Basic Instinct, 2008
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Three Princesses, Mustafa Ali. Wood and Bronze sculpture, 2008
While young artists in neighbouring countries often command attention by the fury with which they try to get rid of stifling artistic traditions, Syrian artists generally seem quite comfortable with their cultural background. This may make it less appealing to Western curators who expect a radical critique of Islamic and/or Arab culture; but it gives a solid footing to the conceptual explorations by local artists in new media or unusual themes.
Similarly, Western misperceptions about the extent and nature of Syria’s authoritarian regime make it difficult to appreciate the existence of the lively Syrian art scene, which is slowly but steadily becoming a presence to be reckoned with.
This article originally appeared in The Power of Culture:
http://www.powerofculture.nl/en/current/2009/august/syrian-artists